Cricket world mourns loss of Phillip Hughes

The cricket community worldwide is in mourning today following the death of Phillip Joel Hughes, aged 25.

Cricket Australia announced the news with a statement from team doctor Peter Brukner.

"It is my sad duty to inform you that a short time ago Phillip Hughes passed away," Dr Brukner's statement read. "He never regained consciousness following his injury on Tuesday.

"He was not in pain before he passed and was surrounded by his family and close friends."

Australia captain Michael Clarke, who was commended for his efforts in supporting the Hughes family since Tuesday's incident, read out a brief statement on behalf of parents Greg and Virginia and siblings Jason and Megan Hughes.

"We're devastated by loss of our much-loved son and brother Phillip," Clarke read.

"It's been very a difficult few days and we appreciate all the support we have received from family, friends, players, Cricket Australia and the general public.

"Cricket was Phillip's life and we as family share that love of game with him.

"We would like to thank all medical and nursing staff at St Vincent's Hospital and Cricket NSW medical staff for their great efforts with Phillip.

"We love you."

Clarke bowed his head momentarily to compose himself before exiting.

Hughes was struck on the head while batting for South Australia during a Sheffield Shield game at the SCG on Tuesday, and underwent emergency surgery shortly after being rushed to St Vincent's Hospital in Sydney.

He had since been in an induced coma in the hospital’s intensive care unit.

Australia captain Michael Clarke, a long-time teammate and friend, was among the many from within Australian cricket to visit Hughes and his family at the hospital, offering support and well wishes.

The Australian team was due to assemble in Brisbane this weekend for next Thursday's first Test against India. Instead players from around the country flew into Sydney as the cricket family drew strength from the company of one another.

Hughes, who hailed from Macksville on the New South Wales mid north coast, was struck by a ball below the helmet while attempting to play a hook shot to a short-pitched delivery at 2.23pm Tuesday, the opening day of his team's match against NSW.

He was 63 not out at the time and pushing his case for a recall to the Australian Test team.

Music and Dance as an Important Cultural Aspect of Jammu and Kashmir

Since we understand that the music
and dance is an integral part of anyone culture and Kashmir is not an exception when it comes to display its inspiring tradition. To understand the historical background of the musical tradition of the Kashmir than traveler would require walking back to the days of human civilization. It is believed that the evolution and the spark of music were initiated by the Brahman communities who used to play sitar and their music portrayed the melodies of Indian classical music.

As we know evolution is a part of every element and an advent of development of the new musical era in Kashmir was brought by Sufism with their arrival the tradition of Sufiana Kalam came into picture. Sufiana Kalam gave rise to other musical instruments like Santoor and Saz which later on became the main elements of their musical chronicles.

Apart from music the tradition of Kashmir is very much defined by its famous dance forms called Rouf. This dance forms according to people welcomes the advent of spring season and the particular dance form is practiced by girls during the carnival of Eid.

Before we talk about their cultural importance and influence of music in shaping their tradition it becomes very important for us to understand the narrative background of the musical heritage. According to folklore the musical transmission of Jammu and Kashmir reflects the civilization of India and Pakistan. They believe that their traditional approach carries an essence and influence of Central Asia, Eastern Asia and Southern Asia but the aspect of their music comprise and constitute the measures of Central Asian music and evidently they use traditional Central Asian instruments and Central Asian scales.

Chakri

Chakri is amongst the most renowned folk music of Kashmir. This folk music in particular connotes the glory of history and the same is used to tell the stories of Yousuf-Zulaikha, Laila-Majnun etc. beside that the music is used to score the fairy tales one must understand that it requires ample experience and devotion to play Chakri musical instruments like Harmonium, Rabab, Sarangi and Nout. Chakri on a fast note is often called Rouf but one must not dilute the confusion between musical notes Rouf and distinct dance form which is also famous as Rouf.

Some of the renowned Chakri players are Gulam Hassan Sofi, Abdur Rasheed Hafiz, Gulam Nabi Sheikh and Gulam Mohammad Dar.

Rouf or Wanwun

As mentioned above the Rouf is generally performed by girls and owing to its importance the Rouf is performed only during the significant occasions like Eid, marriage and other functions. The dance form of Rouf is very simple and it illustrates the core of dance and songs respectively. While performing Rouf no instruments are required because the tempo of songs keeps the momentum and the girls organize themselves in two or three rows and each of the rows comprises 5-6 girls. As said before the dance form is very simple because each rows steps forward and backward in a swaying motion to decorate the beauty of the art.

Ladishah

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When we talk about Ladishah we must remember to understand its sarcastic form which is generally delivered while singing. Ladishah singers are veteran in terms of evaluating social, political and economic condition of the state and while singing from one village to other they illustrate the dilutive and inefficient administration of the government. To understand it in simple measures Ladishah is generally associated with criticism because they take active participation to analyze the role of the government in developing the social status of the state. Ladishah is a hilarious form of Kashmiri culture and the singers are experienced because they are more into criticizing ongoing issues. Ladishah is performed during the phase of harvesting period.

Sufiana Kalam

It is a classical form of Kashmiri music and can be considered as one of the most traditional and historical strings of melody. It comprises ragas and the instruments which are used to perform Sufiana Kalam are Santoor, Kashmiri Saz, Wasool, Tabla and Sitar. Sufiana Kalam shares its history with the notes musical notes of Iran and it is believed that it arrived here during the course of 15^th century. Sufiana Kalam is famous amongst the Kashmiri Sufi mystics and the dance form that compliments the scale of it is renowned Hafiz Nagma.

Classical